Saturday, November 30, 2013

Question 5: What is Beauty?

What is beauty?

I'd like to start off this question with a Bible verse on the subject of beauty.


Ecclesiastes 3:10-13 - "What gain has the worker from his toil? I have seen the business that God has given to the children of man to be busy with. He has made everything beautiful in its time. Also, he has put eternity into man's heart, yet so that he cannot find out what God has done from the beginning to the end. I perceived that there is nothing better than to be joyful and to do good as long as they live; also that everyone should eat and drink and take pleasure in all his toil--this is God's gift to man."


There are, no doubt, more verses on the subject of beauty. But this one I find striking, since it says, "He has made everything beautiful in its time." Not just a few paintings here and there. But the verse also specifically says, "in its time." I would take this to mean that we may not see the beauty in everything all at once, but that in God's great plan for the world, everything has its time and place to make God's plan beautiful.


Take a look at these two images:





The first of these is a painting by Andy Warhol. The second, however, is simply a picture of some clouds. Which do you find more beautiful?

Some people may say they find the first picture beautiful. But why is it beautiful? What is it in the image that makes it beautiful? It is merely an image of Campbell's soup cans. All this does is ground the viewer in reality, reminding him or her that soup cans exist.

The clouds, on the other hand, tend to evoke a feeling that there is more to the world than what meets the eye. The clouds can ground us in reality in the same way that the soup cans do, but something about them draws us to God. I would say this is because of what Ecclesiastes 3:11 says, that "he has put eternity into man's heart". Through such images, we see a part of the beauty of God. In a sense, beautiful images serve as vessels for the light of God. We see the vessel, but we also see light shining through it.

The clouds could just be clouds, but they are also awe-inspiring. Their beauty tells us that they did not come about by accident, but by the hand of God. Thus, beauty does not just please the eye. Warhol's soup cans might please some people's eyes, but they do not possess that beauty that draws the viewer out of himself and into the idea that God is beautiful.

But then the next part of Ecclesiastes 3:11 says, "yet so that he cannot find out what God has done from the beginning to the end." We see a part of God's eternity through beauty, but we cannot comprehend His entirety because He is God. If we could explain all that He is, He would not be God, but merely another creation of the human mind. But eventually, when this world passes away and those who believe in God go to be with Him, they will see the true beauty of God.

Saturday, November 23, 2013

Sorry!

What with the Doctor Who 50th anniversary special coming out today, and everything else going on in my life, I do not have a new post for today. Sorry! I do have a question I plan to answer, though, and I hope to have written something for next Saturday. That question is: what is beauty?

See you next week, and have a happy Thanksgiving!


Saturday, November 16, 2013

Essay: Virtue

This essay may look very familiar to you. I posted this essay a few weeks ago, but it has since been expanded to reach the page limit for the Torrey application essay. I like this version much better than the previous one, and I hope you do too.

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C.S. Lewis once said, “No justification of virtue will enable a man to be virtuous.”  A significant amount of weight lies in this single quote from Lewis’ essay, The Abolition of Man.   For instance, what is virtue?  Once that question has been answered, more arise.  One such question is what Lewis means by a “justification of virtue.”  Another question that demands to be answered is what will enable a man to be virtuous?  In order to begin answering the last two of these three questions, one must naturally answer the first.  For many people, the nature of virtue is ambiguous.  For instance, many people would agree that murder is wrong, but that lying is fine on occasion.  This is perhaps why there are such firm laws against murder but more convoluted ones on what constitutes lying, or fraud.  But when all is said and done, the man himself must choose whether or not to be virtuous, whether laws governing morality are placed over him or not.  Manmade laws only serve as guidelines, not as concrete restraints.  Whether or not a man is virtuous depends on the choice of the man himself, though there are also ways to instill virtue in him from a young age.

Virtue is not rational, insomuch as one cannot explain what drives a man to die for his country without acknowledging the existence of something outside of observable fact.  The act of being virtuous, or morally good, is not something mankind comes by naturally.  Virtue is prompted by the conscience, God’s law of morality, which demands certain actions of man which are morally good.  In truth, every man knows what is morally good, even if he does not always listen to the still, small voice that teaches him.  In a sense, virtue has emotional as well as cognitive properties to it, since the heart recognizes what is beautiful, and the mind seeks to copy that beautiful deed or image.  Returning to the example of a man who is willing to die for his country, Lewis says in The Abolition of Man that such a man would not do such a thing out of rationality.  This is because a rational man would seek his own preservation.  Although the man could argue that he does so for the benefit of future generations, he has not observed them and cannot therefore say whether such a drastic action as his own death for his country would, in fact, benefit them.  Instead, it is out of love that he does such a thing.

While virtue is not a rational concept, a man can attempt to point out what is good and bad using his mind.  He can make lists of moral and immoral actions, but this does not make him virtuous.  Such a man can be an excellent philosopher but still be a scoundrel if he does not follow his own advice.  This can be seen in the life of King Solomon.  He became the wisest man alive, but acted unwisely in following false gods.  Becoming virtuous is not just a cognitive action—one must integrate all the parts of man: the mind, the body, and the heart.  The mind must listen to the heart when it tells him what is good, and the body must act appropriately on what the mind knows is good.

In order to fully integrate these parts of man to become virtuous, one should preferably begin learning and practicing virtue from a young age.  If a man starts learning to become virtuous as an adult, he has already become so hardened in his ways that it is difficult, though not impossible, for him to break his habits and follow the calling of virtue.  One good way to learn virtue is to learn through example.  Reading and hearing about virtue teaches about the idea of virtue, but this only engages the mind.  To engage the heart, selfless love from another is required to awaken the heart to the beauty of virtue.  By learning through example, the child does not simply learn what virtue is, but also how it is to be acted upon.  The child, or anyone who attempts to learn virtue, should also saturate himself in the goodness, the truth, and the beauty of God’s Word, and also in manmade art.  The latter of these is not as important as the former, but it helps the learner to understand human nature and how virtue applies to it.  After a while, such exposure to morally good
stories and images begins to rub off on the learner.

Literature is one of best ways to teach virtue from a young age, or at any age, since a good novel has the potential to be both entertaining and insightful.  C.S. Lewis himself wrote many novels that are still entertaining to both children and adults, in the forms of The Chronicles of Narnia and The Space Trilogy.  These books explore many fascinating concepts and give examples of virtue in action within imaginative settings that draw in the reader’s attention.  A young child often can learn to be virtuous simply by reading such stories or having them read to them.  The trusting nature of a child absorbs tales of virtuous knights like a sponge, aspiring to be virtuous himself.  An adult, on the other hand, must generally make more of an effort to see and act on virtue in novels, reverting usually to skimming over the goodness and truth of a novel to focus on the beauty.  Beauty is good, of course, but a fixation on it, to the point where a man desires beauty for himself, but does not seek it out for the benefit of others, is an erroneous desire.  Theological and philosophical essays can teach an adult about virtue as well, but stories teach what they cannot: how to hope and dream for what is to come – for glory.

Parents must come to understand that no matter how much they may attempt to shelter their children, their children will eventually be on their own in the world and will inevitably encounter evil.  Any child completely sheltered from evil ideas, even if they have been saturated in goodness, having never been exposed to the darkness before, could easily be overwhelmed by the enemy’s arguments and succumb to them.  A parent’s reaction to this potential circumstance should not be to simply inoculate his or her child’s mind with evil imagery but also to show the antithesis to the evils shown to the child.  There may not be a rational counter-argument for every idea the child comes up across, but there will always be a Biblical one.  In addition, a parent’s attitude in the face of an evil that he or she cannot explain should not be to give up, but to seek out answers.  Parents should also teach their children to have this attitude of always seeking out answers, because if a person has this attitude towards evil, he or she will be less likely to be overcome in the face of a seemingly complete defense of sinful ideas.  Even when exposing a child to evil in the world, one should still avoid literature that dwells on evil to the point where it is nearly glorified, like most teenage romance novels of the modern age.  On the other hand, some books, like 1984, George Orwell’s dystopian novel, portray evil in the proper form for such a purpose as exposing a child to the evil of the world.  Such a book shows what evil truly is: something that should not be desired, something that should be avoided in every case.  Books that portray evil as undesirable are important to read since they serve as warnings against sin and, particularly in the case of 1984, apathy towards the evil actions of others.

Although everyone recognizes that there are moral and immoral actions, there are those who would argue that virtue in the Biblical sense either does not exist, or that it is unimportant.  People who believe either case recognize morality for their own purposes, seeking to promote it in others for their own benefit.  Those who say it does not exist are generally materialists, believing that this current, physical life is all there is, has been, or ever shall be.  They argue that man’s capability for thought is merely an evolutionary advance, and that any emotion he might feel is simply a chemical reaction within our bodies.  People with this viewpoint must, of necessity, deny the existence of a conscience, since there is no physical advantage of having one.  However, a conscience is different from instinct in that it points out what is good for others, not what is good for the self.  To borrow an analogy from C.S. Lewis, the existence of hunger proves that bread also must exist, whether or not the hunger in question is sated by it.  Following the same reasoning, because the conscience exists in every person, whether or not it is heeded, it must exist to promote virtue.

As to the second idea, that if virtue exists, it must be unimportant, this is actually a common fault of many people who claim to be Christians, and falls under the heresy of Epicureanism.  Epicureans believe that, once they are saved, it does not matter what they do since when they die they will receive the same reward as Christians who do good works in life.  As a result, Epicureans act on their fleshly desires, living in the moment, and do not care for the good of others.  The problem here is that a person’s actions in life do matter in the long run.  A man’s actions are always taking him in one of two directions: down to Sheol, or to eternal life with God.  And even when a man is saved, and the price of his sin has been paid, if he does not act on his newly-acquired inheritance to become more like Christ, he has not truly grasped the relationship he now has with God.  For a man who truly understands the nature of God will realize that God, as the ultimate good, just, loving being that He is, is someone to aspire to become like, no matter how good the man might already think he is.  For instance, who would settle for begging on the streets when every opportunity had been given him to rise to greatness?  Acting on virtue is important because it combats the darkness of the world and brings the virtuous person out of the depths of sin and closer to becoming like Christ.

Overall, hearing about and knowing the concept of virtue is not enough to be virtuous, just as C.S. Lewis stated.  But knowing the concept is at least a start, since a man must still build on that idea and choose to live in a world filled with good, so that he may learn to be good himself.  Even if it does come down to a person’s choice as to whether or not he or she will not only know good, but also do good, the person must have first somehow learned not only what is good, but what good looks like in action.  Learning what is good can be done through extensive, thoughtful reading; observation of those who are virtuous themselves; and reading of the Scriptures; to name only a few methods.  Mankind learns best through imitation in most cases, and this is certainly applicable to learning virtue.  Christians are called to be a light to this dark world so that others who are lost can learn virtue through their good examples.

Saturday, November 9, 2013

Essay: Life, Death, and Bells

Once again I am posting an essay I wrote for class. This one is about a novel I read over the summer for my English class, The Nine Tailors, written by Dorothy Sayers. As it is a mystery novel (and a brilliant one at that!), I would recommend that you read the book before reading this essay, so that the ending is not spoiled for you. It may also help you to understand this essay.

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A typical reader, upon picking up a copy of Dorothy Sayers’ novel, The Nine Tailors, might expect to have found a tale involving nine crime-solving men whose day jobs are to adjust people’s clothing. As the reader becomes more involved in the story, however, he or she will come to realize that a tailor, as an occupation, has very little to do with the story. Instead the reader will discover that the nine tailors from the title of the book actually refer to church bells. This meaning, though not obvious at first, becomes the most plausible meaning for the title. There is much mention of bells throughout the book, but even so, why would such a great author as Dorothy Sayers title what is dubbed her finest mystery novel after inanimate objects, instead of something more profound? This question itself is flawed, because in the novel, bells are more than just inanimate objects. While the meaning of the title of the book has an obvious meaning apparent to anyone who reads the book, it also possesses many deeper and far more important meanings. Thus, the title of the novel is probably at its most profound.

The first, most apparent meaning for the title of the book becomes known in the first few chapters; the nine tailors are the peals rung for a dead man. Since the book is so focused on the work of the bells, it is important to note that the bells also ring for births, baptisms, and marriages, in addition to deaths. Thus, the existence of the bells is centered around events involving life and death. The term “nine tailors” could also refer to the ringers of the bells themselves. These ringers, who must of necessity be alive, are the ones who ring the nine tailors for dead men. Since life is required to announce the presence of death, life and death are once again intertwined in the novel. This is an accurate portrayal of the reality of life and death in real life, since in order for there to be a death, there must have first been a life. The lives of these ringers are vastly important in the story because not only do they deal with the bells, but they also have to do with the Church itself.

One of the less obvious meanings of the title, The Nine Tailors, involves the symbolism of the Church. In the time in which the book takes place, the Church in England was very tied into life and death. For instance, Christians according to the Bible die to their old selves in baptism. Also, in The Nine Tailors, the church represented life by acting as an ark during the flood at the end of the story. The preacher in this church, Mr. Venables, did his job and acted as the shepherd to his flock by guiding his parish into safety.  1 Corinthians 12:12-13 says, “For just as the body is one and has many members, and all the members of the body, though many, are one body, so it is with Christ. For in one Spirit we were all baptized into one body—Jew or Greeks, slaves or free—and all were made to drink of one Spirit.” This picture of the Church is represented in The Nine Tailors in more instances than just when Mr. Venables did his duty and saved his parish. For example, towards the end of the book the main character, Lord Peter Wimsey, unfolds how the victim was killed by the sound of the bells in the church tower. However, it was not just the bells that killed the man—it was also the fault of the ringers themselves. These ringers, members of the body of Christ, worked together to carry out God’s justice in the man’s death.

Yet another important meaning of the title of the book lies in how the justice of God was carried out. Mr. Venables suggests at the end of the book that the bells acted as God’s messengers by killing the victim, Deacon, for his sins. This idea is strengthened by Mr. Venables’ reminder that one of the bells, Batty Thomas, has a reputation for having killed two other men. In a conversation between Lord Peter Wimsey and Hezekiah Lavender, Lavender said, “Yew ain’t no call to be afeard o’ the bells if so be as yew follows righteousness.” Lavender means by this that the bells punish the wicked, like Deacon. Not much can be said for the other two men Batty Thomas killed, but Lavender’s statement definitely fits with the circumstances surrounding Deacon’s death. More symbolism appears in the fact that Deacon died within the church, while harboring sins of greed within his heart. On the other hand, Lavender, a righteous man in this tale, lives to a ripe old age. This once again ties back to the theme of life and death in the book, since the nine tailors protect the lives of the righteous and punish the lives of the unrighteous.

Sayers could have titled her book after its theme, life and death, but she chose instead to add symbolic flair to the title yet still hold true to the novel’s theme. The reader sees time and again that the book’s theme, life and death, ties into the book’s title. This happens mainly when the church bells cause the death of Deacon, but also because of the living men who rang the nine tailors for the dead man. The physical church and the members of the body of Christ both worked together to carry out God’s justice, again relating back to life and death. So in the end, although Sayers did name The Nine Tailors after a set of inanimate objects, these inanimate objects serve as a symbolic bridge between what we observe and what she wants to teach the reader about life and death.

Saturday, November 2, 2013

Essay: The Moral Dimension of Grammar

The following is an essay I wrote last year for my English class. I apologize for posting so many old essays, instead of answering new questions, but NaNoWriMo is now taking up a lot of my time. Throughout the month of November I may not have time to do much more than this, but in December I hope to start back up again answering questions. If you have any you'd like me to answer, just post them in the comments!

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Texting lingo is threatening to take over the world. The world is becoming more and more fast-paced, and as a result, abbreviations are becoming more and more prevalent. Although abbreviations do allow for quicker communication, are they really necessary, and in such abundance? Are they even as beneficial as has been claimed? The answers to these questions lie in the very basis of grammar. Jane Austen explores the use and importance of grammar indirectly in her novel Pride and Prejudice. In this novel, whether or not her characters use correct grammar often speaks for their morality. Jane Austen was a talented author who was able to read people’s characters very well, so much so that if we look at people as she did, we can observe the same ideas about grammar in others as she did. Overall, speaking with correct grammar not only aids in clear communication, but it also affirms the existence of God in an increasingly nihilistic world.

Almost all of the characters’ uses of grammar in Pride and Prejudice speak for their morality, but some of the more prominent examples are of Lydia Bennet, Mr. Darcy, and Elizabeth Bennet. In Pride and Prejudice, Lydia constantly uses slang when she speaks. She also speaks in short, simple sentences for the most part. Mr. Darcy and Elizabeth go through a much more complex development in their uses of grammar. For the first half of the book or so, Mr. Darcy barely speaks at all to Elizabeth. On the other hand, although
Elizabeth speaks to Mr. Darcy more than he speaks to her, she is witty and therefore unclear in her choice of words. Later on in the book, when Mr. Darcy first proposes to Elizabeth, he is very clear and outspoken in his address to her. In response, Elizabeth makes a point of telling Mr. Darcy exactly what she thinks of him. Once this is made known to Mr. Darcy, he leaves, but writes her a letter with an explanation of his actions up to that point.

The words and actions of Lydia, Mr. Darcy, and Elizabeth all correlate with the idea that there is a moral dimension to grammar. After all, the definition of morality implies that there is a right and a wrong action, thought, or feeling. When compared with grammar, one sees that there is a right and a wrong use of grammar. Lydia uses grammar improperly throughout Pride and Prejudice, though perhaps not to the extent that it is misused today. The end of the story makes clear to the reader that Lydia has made bad choices, and continues to do so. This is not a direct result of her using improper grammar, but it does show that she subscribes to faulty morals. Mr. Darcy and Elizabeth show what happens both when improper grammar is used, and what happens when proper grammar is used. When the two do not communicate well, they misunderstand each other and are tainted by pride and prejudice. When the two begin to communicate with each other more, they discover how wrong they each were and as a result grow closer together. Thus, when the characters do not speak clearly, there is definitely a correlation to their morals.

Morality does not just correlate with grammar in stories; it applies to real life, as well. In “The Real Reason Our Educational Elites Don’t Like Grammar,” by Martin Cothran, Cothran writes that grammar is based on the existence of right and wrong. Right and wrong implies that morality must exist, and therefore implies the existence of God. Cothran also talks about Nietzche and how he was opposed to the use of grammar. He says that Nietzche was not opposed to grammar itself, but being a nihilist, was opposed to what it was based on. Nietzche did not want to use correct grammar because he wanted to kill God. Thus, the obvious reaction to this for a Christian is to speak correctly.

Every time a person speaks clearly, he or she affirms the existence of order, and ergo of God. If modern teenagers continue to use texting lingo as they do, followers of Nietzche’s prophecy may believe they have won. But the introduction of cell phones to the world is not the end of God, and never shall be. God is not merely an idea—He is the creator of ideas, and must always exist for anything else to exist. No matter what man can say, he will always exist, and therefore God will always exist. Even if we cannot count on humanity to remain educated in the proper use of grammar, we can count on God to exist to maintain order.